Audioroom · Listening Spaces

Where Sound
Becomes Truth

Three purpose-built listening rooms, each tuned to a different philosophy of reproduction. No compromise. No rush. No sales pressure.

"We built this space for one reason: to let the music speak, and for you to simply listen."

Most audio demonstrations happen in noisy showrooms designed for retail, not for listening. Parallel walls, ambient noise, poor sight lines to the speakers — the environment itself becomes the system's worst component.


Every room in our Experience Centre has been designed from the acoustic foundations upward. The geometry, the treatment, the furniture, the equipment — all chosen with a single goal: to place you as close as possible to the original performance.


Bring your own recordings. Arrive with no obligation. Stay as long as you need.

3
Dedicated
Listening Rooms
9.2
Channel Dolby
Atmos Capable
18Hz
Deepest Bass
Reproduction
No Time Limit
on Sessions

Built for
Silence First

A truly neutral room is the rarest component in any system. Before a single speaker was placed, our spaces were engineered to get out of the way — so that what you hear is the recording, not the room.

01
Room Geometry
Parallel walls create standing waves at predictable frequencies, colouring the bass and obscuring detail. All three rooms use calculated asymmetry — non-parallel angles, raked ceilings, and offset dimensions — to break up these modes before treatment is even applied.
02
Broadband Absorption
Thin foam has no effect on the frequencies that matter most. Our treatment uses thick, high-density mineral wool panels behind fabric — placed at reflection points calculated for each room's geometry and listening position. Low frequencies are addressed with purpose-built bass traps in the corners and junctions.
03
Controlled Diffusion
A completely dead room is fatiguing and unnatural — music is performed in spaces with some life. Carefully designed diffusion elements on the rear walls restore a sense of space and air without adding smear, maintaining clarity while keeping the room from sounding like a recording booth.
04
Mechanical Isolation
Low-frequency noise from building structure — HVAC, traffic, neighbouring spaces — masks low-level musical detail. All three listening rooms use decoupled floating floors and acoustic door seals to achieve near-anechoic isolation from the outside world. What you hear comes only from the speakers.
05
Speaker Placement
Each loudspeaker is positioned using a combination of measurement and listening. Distances from boundaries, toe-in angles, and rake are all calibrated to optimise the in-room frequency and impulse response at the sweet spot, then fine-tuned by ear until the image locks into perfect three-dimensional focus.
06
Calibration & Measurement
All rooms are periodically measured using calibrated microphones and measurement software. Any drift in the acoustic performance — seasonal changes in humidity affect materials — is corrected. The Atmos room uses Dirac Live room correction as a final refinement layer, applied transparently.

From Source
to Speaker

Every component in Room I has been chosen for its ability to contribute nothing — and preserve everything.

Source
High-Res Streaming
& Vinyl
Roon-based streaming server. SME turntable with moving-coil cartridge for analogue sources.
DAC / Phono Stage
Reference
Conversion
R-2R ladder DAC for digital. Step-up transformer into dedicated phono stage for vinyl.
Preamplifier
Gryphon
Preamp
Fully balanced, zero-feedback preamplifier. The only active component between source and power amplifier.
Power Amplifier
Gryphon
Reference Power
Class A biased monoblocks. Sufficient current reserve to control any load the Piega presents.
Loudspeaker
Piega
Flagship
Swiss ribbon-tweeter floorstanders. 18 Hz–50 kHz in-room. The last component in the chain.
Floorstanding loudspeakers, tall brushed-metal towers
Stereo power amplifier front panel with cooling fins and status indicators
Room I · Reference
2-Channel Stereo
Acoustically Treated
Piega · Gryphon
~28 m²
Listening Tip
Arrive with your most familiar recording. This room will show you everything you've been missing — and nothing you haven't.
I
The Reference Room

Full-Range
Two-Channel

This is our primary demonstration space — a 28 m² room designed around a single purpose: the most transparent, uncoloured reproduction of a stereo recording that we know how to achieve.

The room geometry avoids parallel walls and uses a combination of broadband absorption, diffusion, and carefully placed bass treatment to achieve a neutral in-room response. The listening position is equidistant from both speakers and calibrated to within 10 cm of the ideal sweet spot.

The resident system is anchored by Piega's flagship floorstanders, driven by Gryphon amplification from source to speaker. Every component has been chosen to disappear — to leave only the recording.

Room Size ~28 m² · Non-parallel geometry
Format Pure 2-channel stereo
Loudspeakers Piega Master Series / Coax 811
Amplification Gryphon Reference Electronics
Sources Vinyl · High-Res Streaming · SACD
Frequency Response 18 Hz – 50 kHz (in-room)
Acoustic Treatment Broadband absorption + diffusion
Sessions Private appointment only
Book this Room
Floorstanding coaxial loudspeakers with slim cabinet
Tall floorstanding loudspeakers with high-gloss black finish
Starke Sound A3 three-channel power amplifier, front view
Room II · Nearfield
Nearfield Monitoring
Studio-Grade Treatment
Compact Systems
~16 m²
Ideal For
Compact speaker and integrated amplifier auditions. Exceptional for those evaluating systems for smaller rooms or apartments.
II
The Nearfield Room

Intimate
Precision

Not every listening space is a large room — and not every great system requires one. Room II is a smaller, studio-proportioned space optimised for nearfield and compact speaker demonstrations.

At a listening distance of 1.5–2 metres, bookshelf speakers and compact floorstanders reveal their character with extraordinary clarity. The acoustic treatment here is more absorptive, eliminating early reflections to deliver an almost anechoic listening window.

This room is particularly suited to those comparing the Piega Ace and Coax bookshelf ranges, or evaluating integrated amplifiers and wireless systems. The tight acoustic window makes differences between components immediately audible.

Room Size ~16 m² · Studio proportions
Format Nearfield 2-channel stereo
Loudspeakers Piega Coax 311 / Ace Series
Amplification Starke Sound / Integrated options
Sources Hi-Res Streaming · CD · Wireless
Listening Distance 1.5 – 2.0 m optimal
Acoustic Treatment Heavy absorption + rear diffusion
Sessions Walk-in or appointment
Book this Room
Room III dedicated Dolby Atmos cinema with Piega and Starke Sound at Audioroom, New Delhi.
Room III · Cinema & Atmos
Dolby Atmos 9.2.4
4K Projection
Acoustic Screen
~35 m²
3 Listening Seats
Bring Your Own Content
Dolby Atmos Blu-ray, 4K HDR, or hi-res audio files. We calibrate every session to the content you bring.
III
The Cinema Room

Immersive
Object-Based Sound

Room III is our largest space — a dedicated cinema and Dolby Atmos room built to the same audiophile standards as our two-channel rooms, refusing the false trade-off between immersion and fidelity.

Nine main channels, two subwoofers, and four height channels deliver the Atmos object-based soundfield as its creators intended: sounds that move through three-dimensional space with pinpoint precision, anchored by bass that is felt as much as heard.

The acoustic screen allows the centre speaker to be positioned precisely behind the projection surface. Starke Sound amplification drives the full 9.2.4 system, with Piega loudspeakers throughout — ensuring tonal consistency that commercial cinema installations never achieve.

Room Size ~35 m² · Cinema proportions
Format Dolby Atmos 9.2.4
Main Speakers Piega (L/C/R + 6 surround)
Height Channels 4 × ceiling-mounted Piega
Subwoofers 2 × Starke Sound SW-15 Elite
Amplification Starke Sound multi-channel
Display 4K HDR Laser Projection · 2.4:1
Seats 3 acoustic reference positions
Calibration Dirac Live · Manual ISF/THX verify
Sessions Private appointment only
Book this Room

A Session
at Audioroom

We have designed the session experience to be as effortless as the listening itself. Here is what happens when you visit.

01
Book
Choose your room and a time that suits you. Sessions are private — no other visitors will be present. Bring recordings you know intimately, or we can suggest a programme.
02
Arrive
We will welcome you and give you a brief orientation of the room and the equipment. No jargon, no sales pitch — just enough to let you settle in and start listening comfortably.
03
Listen
The room is yours. We step back and let the music do the work. We are on hand to make adjustments, switch components, or answer questions — but only when you ask.
04
Decide — or Not
There is no obligation. If you want to discuss what you heard — components, acoustics, system design — we are happy to talk. If you simply want to book another session, that works too.
Reserve Your Session

Come and
Hear for Yourself

All three rooms are available by private appointment. Sessions typically run 60–90 minutes, but there is no fixed end time — stay as long as the music holds you.

Sessions are complimentary and carry no obligation whatsoever.